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1.
(C) Lišky a norci na svých (E) hřbetech nesou vize nových (F) světů, když (C) utíkají z (G) klecí (C) Svoboda Sabatého (G) kroků je doprovází (F) kotlinským ledem i (Dmi) pyrenejskou (G) klečí (C) Štěkot psů (E) athénských ulic (F) zní od Lakandonské džungle (C) po (G) Rojavu (C) Je hlasem všech (G) odvržených (F) ať už nosí srst nebo (Dmi) (G) balaclavu (F) A stejně jako tehdy v listopadu (E) Na mořské hladině odlesky svobody (F) když šli ke dnu lodě velrybářů (G) Zračí touhu, rozbíjet okovy (C) A ty se mně (E) ptáš jak čelit (F) plytkosti instantních (G) existencí (C) Kde vzít sílu a (E) postavit se (F) vlastní pohodlnosti a (G) dekadenci (C) Stačí se (E) kouknout kolem (F) sebe, inspirací (G) máš (C) Záleží (E) jen na tobě, (F) co s ní (G) uděláš Co s ní uděláš (C) Můžeš (Ami) být kamenem (F) v botě (C) těm, co (G) po jiných (F) šlapou (C) (G) zkusit (Ami) Zadrhnout ten (F) stroj, to (C) soukolí ať přestane se (G) točit (Ami) Ať také (F) poznají život (C) v neustále (G) nejistotě, (F) ti opilí (C) mocí (G) a (Ami) Odlesky svobody (F) zaplanou ti v (C) očích (G) a (F) Odlesky svobody (G) zaplanou ti v (A) očích a (F) Odlesky svobody (G) zaplanou ti v (C) očích _____________________________________________ GLINTS OF FREEDOM Like fox and mink, once freed from their cages, promises of new worlds glint from their backs taking free steps as Sabaté did, through riverbasins and pyrenees pines From Lacandon jungle to Rojava echoes the barking of Athens' streetdogs and becomes a voice of the outcasts who fight hand and paw alike Just like on that november day way back, when the whaling ships sank glints on the water reflect our desire to break off chains don't ask how to face our shallow, disposable existence, how to summon the courage to fight your own decadence there's inspiration present everywhere around you and what really matters is what you choose to do you can bite the hand that feeds poison and shit, be the spanner in the gears that grinds them to a halt let the power abusers taste the anxiety they bring and glints of freedom will shine from your eyes too
2.
Ami C G Ami Přede mnou (Ami) věž - železobetonový kolos nedozírné (C) výšky, postaven (G) nevolnými údy mdlých, ozdoben kly vyhynulých (Ami) druhů (Ami) jediné co zbylo, na mršině světa – mršiny (C) much a kořistnící ruka (G) chtivě trhající křídla z mrtvých (Ami) těl (F)„Cesta je zavřená. Byla (Emi) postavena těmi, jež jsou (Ami) mrtví. A mrtví ji střeží." (F)„Cesta (Emi)je (Ami)zavřená...“ (Ami) Prodchnutí svobodou vybíráme z široké škály průběh (C) rozkladu Plán na (G) večer? S volností přemýšlet jak velkou míru odcizení (Ami) zvolit (Ami) Ve světě betonu, oceli a skla - úpadek (C) v rozletu a ten prs, který kojí (G) rozedrat do masa, naporcovat, zabalit a (Ami) prodat (F)„Cesta je zavřená. Byla (Emi) postavena těmi, jež jsou (Ami) mrtví. A mrtví ji střeží." (F)„Cesta (Emi)je (Ami)zavřená...“ _____________________________________________ THE WAY IS SHUT Before me stands a tower – a giant of concrete and steel erected by slave labor, decorated by tusks of the extinct all that's left of the carcass of this world are dead flies and a greedy maw nibbling on the corpses “The way is shut. It was made by those who are Dead. And the Dead keep it. The way is shut.” so high on freedom we choose our flavor of decline to ease the deafening alienation on a night out collapse is pending for the artificial earth already torn, sliced, packed and sold “The way is shut. It was made by those who are Dead. And the Dead keep it. Until time comes... The way is shut.”
3.
C F Ami // C G Ami F // C F Ami // C G C (C) Krájí (F) na kusy (C) zdechlinu (F) svědomí (C) Čím vyšší (G) plot, tím bližší (Ami) dno (C) Každý den (F) házejí (C) předsudkům k (F) sežrání (C) Další (G) libové (Ami) sousto (C) Chtěl bych vidět (F) tyhle tupce (Ami) co hlásají zavřít vrátka (C) S jedinou taškou, (F) kterou stihli (Ami) zabalit si když přišla válka (C) Chtěl bych vidět (F) tyhle lidi, (Ami) absolutně bez svědomí, (C) Potom co by (F) prošli peklem (Ami) řekli by jim, že tady pro ně místo není (C) (G) (Ami) (C) Kde se vzalo jejich (G) odhodlání (Ami) Uprchlíky (F) nepřijímat (C) Záraží mně jak (G) rychle umí (Ami) společnost (F) zapomínat (C) Rok 68 nebyl (G) zas tak dávno (Ami) Mnozí ještě pamatují (F) kolony tanků (C) Kolik lidí tehdy (G) utíkalo A teď jiné (Ami) vyhání tenhle národ (F) exulantů C F Ami // C G Ami F // C F Ami // C G C (Ami) Život v nejistotě a strachu, hledání cesty ven, kudy a kam utéct? (C) Před peklem na zemi peklem na moři, vysněná souš a pak další zlo. (F) Středozemní moře, život v něm na pokraji zániku, tak proč nepokračovat v kursu. (G) Po utrpení jen další utrpení, sen o lepším životě končí ve vlnách. (Ami) Pod hladinou masový hrob, před našimi dveřmi. (C) Kolik lidí ještě opustí své domovy a životy při útěku před válkou či humanitární krizí, (F) kolik lidí bude nuceno snášet nelidské zacházení, znásilňování, pošlapávání jejich základních lidských práv, (G) jen proto, aby později utonuli v mořských vlnách, nebo je banda buranů posílala se siláckými kecy zpět? (C) Kde jsi se (G) narodil, (Ami) to si (F) nevybereš (C) Někdy (G) zbývá jen (Ami) jít (C) (G) (Ami) (F) Tak vítej _____________________________________________ WELCOME their collective conscience is a dead weight anyway let prejudice decide how low can they go I would love to see those idiots closing borders left and right on the other side of fence, standing helpless with nary a few scraps gathered before war broke loose having gone through hell just to hear there's no place left Closing the gates before those in need It's perplexing how one can forget so easily 1968 apparently happened a long time ago for our nation of former exiles living in anxiety and fear, where to go and how? Going through hell on both land and sea just to wind up on a not-so-welcoming shore if you're not lucky, only waves will wash over your dreams mass graves right on our doorsteps people leaving their homes and former lives to get away from war only to be subject to another mistreatment, rape, violation of their basic rights just to die at the sea or be turned away by a bunch of stupid fucking beer-bellied rednecks… you can't choose your place of birth but you can choose your place to live so welcome
4.
Emi Ami Emi Emi C Emi (Emi) Svoboda je svobodou jen tehdy, když v sobě pojímá zodpovědnost a znalost následků vlastního jednání. (Emi) (C) (G) (D) // (Emi) (C) (Emi) (Emi) Důležitější (C) než výsledek, je (G) usilovnost (D) snahy (Emi) Dosáhnout plnosti (C) času skrz (G) smysl malých (D) činů Když (Emi) olej skropí (C) dřevo a ty (G) pochodeň svou (D) zapálíš (C) Dokážeš jí (D) k vatře (Emi) přiložit? (Emi) (C) (G) (D) // (Emi) (C) (Emi) (Emi) Svoboda je (C) svobodou jen (G) tehdy, jen (D) tehdy, když v (Emi) sobě pojímá (C) zodpovědnost za své (G) činy, (D) za své činy (Emi) A když staneš před (C) hradbou horských štítů - (G) majáky hoří, (D) jak odpovíš? _____________________________________________ THE BEACONS HAVE BEEN LIT freedom only earns its name when it carries the weight of responsibility and consequences effort is what counts, not the outcome to make you feel you really matter when the torch is soaked and ready do you have what it takes to set it on fire? freedom only earns its name when it carries the weight of responsibility and consequences And when you stand at the foot of the hills, the beacons have been lit, what say you?
5.
(C) Odlidštěná centra, (G) chátrající historické (F) památky (C) Chrámy konzumu, herny, (G) vyprazdňující se (F) baráky (F) Kancly, klece z (G) betonu a monstra (Ami) ze skla (F) Jaká budou města zítřků, (G) kudy vede cesta (C) ven (C) Odlidštěná centra, (G) chátrající historické (F) památky (a stoupající nájmy) (C) Chrámy konzumu, herny, (G) vyprazdňující se (F) baráky (lidi bez střechy nad hlavou) (F) Kancly, klece z (G) betonu a monstra (Ami) ze skla (ať je nahradí autonomní sociální centra) (F) Jaká budou města zítřků, (G) kudy vede cesta (C) ven (pomožme si squattingem) (F) Je přirozené, že plíce (G) města chtějí (Ami) dýchat a (F) svobodně chce hlas (G) ulic vzduchem (C) znít Nic není (F) nemožné, vždyť i (G) kameny mohou (Ami) lítat Proč by tedy (F) opuštěné domy (G) nemohly znovu (C) žít Nic není (F) nemožné, vždyť i (G) kameny mohou (Ami) lítat Proč by tedy (F) opuštěné domy (G) nemohly znovu (C) žít Ať se (F) všechny zpráchnivělé (G) trámy znovu pevně (Ami) spojí (F) A spekulanti s nemovitostmi (G) ti, ať se (C) bojí _____________________________________________ CITIES NEED HEALING hearts of the cities, sterilized, dehumanized shrines to consumerism, houses becoming vacant office cubicles, concrete cages, glass monsters future sure looks shiny, now how do I get out? hearts of the cities, sterilized, dehumanized (with skyrocketing rents) shrines to consumerism, houses becoming vacant (while homeless people sleep outside) office cubicles, concrete cages, glass monsters (let social centers take their place) future sure looks shiny, now how do I get out? (and into a squat?) lungs of the cities need their air and streets need their voice to be heard nothing's impossible, even rocks can fly so why couldn't dead houses live again? So mend the mouldered beams again and let's instill fear in those who let them rot
6.
(Emi) Správné načasování (Ami) zaručí úspěch - (Emi)svlékání kůží. (C) Odřít se o davy, (D) obrátit naruby - (Emi) svlékání kůží. (Emi) Ať se udáví starými (Ami) cáry – (Emi) zapomenou. (C) Nové tvary obalí (D) struktury shnilé a všichni (Emi) zapomenou. (Emi) Předvádět kousky za které (Ami) zaplatí vděčnými (Emi) hlasy – zapomenou. (C) Proklamace pro proklamace, (D) recyklace minulosti – (Emi) zapomenou. (F) (G) (Emi) (F) (G) (Emi) (Emi) Ukázat očím (Ami) co vidět chtějí – (Emi) zapomenou (C) Stejnou péči dopřát i (D) slechům – (Emi) zapomenou. (Emi) Požehnat masám a (Ami) pobídnout k tanci - ať (Emi) tančí! A pak zapomenou. (C) Za kůrku chleba a (D) posrané životy – (Emi) zapomenou. (F) (G) (Emi) (F) (G) (Emi) (Emi) Důležitost pomníku se (Ami) poměřuje schopností (C) oblbnout lid, (D) oblbnout lid. (Emi) Pocítit majestátnost (Ami) moci a ve stínu (C) monumentů si (D) uvědomit Vlastní (Emi) nicotnost a (Ami) roli, (C) která nám byla (D) přidělena. Vlastní (Emi) nicotnost a (Ami) roli, (C) kterou máme (D) žít. Klíče k (Emi) okovům - obelisky, (Ami) vítězné oblouky (C) na počest (D) vítězství. Pole (G) pobitých zahalená v (C) otázkách, kdo vlastně (Emi) vyhrál a nad (D) kým? (Emi) Pyramidy. Ne, to nejsou (Ami) hrobky, (C) do kterých se pohřbívají (D) mrtví, ale (G) výkladní skříně, (C) které nám ukazují (Emi) zrůdnost a malichernost (D) moci. (Emi) Ozdobíme mrtvé (C) jen té správné strany, (Emi) která má to štěstí, že (C) zrovna třímá žezlo. (Emi) Copak na druhé (C) straně nejsou lidé jako (D) my? (Emi) Kongresová centra hostí (C) rauty finančníků, (Emi) s plnými břichy probírají (C) politiku (Emi) a o kousek dále lidé (C) bojují o (D) přežití. Utnout úvahy o osobní svobodě a svobodě ostatních přesným načasováním, uvážlivým výběrem tématu a promyšleným dávkováním hesel a receptů na spásu. (Emi) Správné načasování (C) zaručí úspěch. (Emi) Svlékání kůží. _____________________________________________ SHEDDING OF SKINS Timing is the key to success – shedding of skins chafe on the masses – shedding of skins let them choke on the remains to forget crumbling structures get a new facade and everyone forgets put on a good show and don't worry, they'll forget slogans for the sake of slogans, redoing the past they already forgot show the eyes what they need to see to forget take the ears for a ride as well, to forget bless the masses and rejoice in a feast to forget for a few crumbs and fucked up lives they'll forget the higher the pedestal, the more people will it fool the more it reminds you of your place, your own worthlessness tailored for you, your own place and a role to live out might be lucky and earn the keys to your shackles victory arches over the killing fields, whose victory again? Monuments and pyramids – these are no burial chambers they're here for you to window-shop on awe and despair History decorates only the winners, not the dead of both sides for the record – they're people just like you unlike, however, the tycoons who'd sooner starve the poor than feed them even the scraps from under the table when they make disasters come from the right place at the right time, you'll never even want what little freedom they condescendingly gave you all gets lost, traded in for make-believe safety timing is the key shedding of skins
7.
Hey you, dude standing outside the venue Asking everyone if they're straight edge If they say yes you will offer your hand But if they say no, you tell them to 'learn the truth' But its up to them, what they do with their lives If they like to drink, well that's just fine Who the fuck are you to tell them what's right? What happened to the freedom to choose? Chorus: So fuck your conversions Fuck all your rules And treating non-edgers as if they were fools People like you give straight edge a bad name Persecuting those who don't feel the same Well its true that I am straight edge myself But that's because it works for me I don't give a fuck how you enjoy yourself Just don't fucking judge cause I'm clean Even though I live the same way I wont perpetuate your stupid clichés Did you forget why we're all even here? It's about the music, not the fucking beer So fuck your conventions Fuck all your rules Those X's on your hands make you look like a tool I may be straight edge myself but I just gotta to say Fascist elitism is never okay Yeah, fascist elitism is never okay Chords: Intro: G D C Em G D G Verse 1: G D C Em Verse 2: Em C G D Chorus: G D C D Verse 3: G D C Em Verse 4: Em C G D Chorus: G D C D, end on G
8.
Little Fox Girl you are small and fair Racing through the forest with your thin tangled hair The forest where you dwell protecting you from harm Away from mischief trouble but not immune to dark charm Because in the forest there shadows a beast Dark, handsome, delirious to say in the least Through the mist to meet her he comes from the dark Quite ready to steal that little foxes heart Chorus: Now I'm screaming bloody murder how did I get myself into this mess? I will rip my teeth out one by one and sew them onto my dress x2 Curiosity killed the cat a wise owl once said When the cat turned around she ended up dead Eaten by the wolf her body's now gone Just looking to impress, oh where did she go wrong? Well that stupid Fox Girl she could not resist a look The price that she paid was her sanity he took With his back turned away his views are hazy Calling her insane when it's he who drives her crazy! Chorus With an expected twist in fate he spits out the cat For his fox lady friend he'd do much more than that He pulls his teeth out and places them on a string Places them in her hand and says 'Remember me when you sing' Chords (Capo 2): Verse 1: Am F C Verse 2: Am G F Am Am G F C Chorus: Am C G F C G Verses 3+4: Am F C G, end on F
9.
Little Marshall enjoyed the woods He'd stay out all night if he could But with his mom yelling 'go to bed' He could only dream about the forest in his head Then one night Marshall stayed up late Ignoring his mothers cries of hate He ran from is house into the deep Forest, unknowing what in the darkness creeped Chorus: Faster and faster he ran through the woods Far from his home, away from where he should Be, the night is too dark for a child Too cold, too black, too grim and too wild Marshall spotted a tree, it was black and tall but underneath it there was a beast that was, calling out what a bloodthirsty shriek it sprung and chased poor Marshall into the deep As Marshall was running he wondered why He had left his house, he was sure to die! In the forest, a cabin, there was still hope Glob had finally thrown little Marshall a rope Chorus A man in the cabin let Marshall in He slammed the door with a toothy grin With the beast outdoors and the man inside There was plainly no place for Marshall to hide Marshall came to see he had lost the chase The man grabbed his arm with a forceful embrace That was it for poor Marshall there was no way out He opened his mouth but he could not shout! The beast crashed through the window mangling the man Marshall fell to the floor, releasing his hand Marshall saw in the light, the beast was little dog Poe His trusty black lab had vanquished his foe! With the moon down low and the sun rising up What a frightful night he had endured with his pup They trotted side by side out of the woods Trailing behind them a puddle of the man's bloooooood Chords (Capo 2): Intro: Dm F Dm A Dm F Dm A Verses: Dm F Dm Dm A Dm Dm F Dm Dm G A Pre-Choruses: Bb A Bb A Bb A Choruses: Dm F Dm Dm A Dm Dm F Dm Dm G A
10.
You and I we've been through this about a hundred times before But we'll make it through the night, and make it to the west coast shore Singing on the streets we dream of Vancouver nights A dark sky filled with stars being a raccoon's delight Chorus: I’ll live savage and free and reckless and wild I don’t need anybody I'm a forest child I'll trace my casting circles in the mud Cause something's boiling, in my blood Forever hitching rides with strangers in old dusty cars Playing music for new friends on your half sized guitar I will never let you down, if you don’t ever let me go I know you want to give me space, so I have some time to grow Chorus Well this poison in my blood its seeping deep out of my veins racing straight to my heart causing pain that will remain but this red string in my hands, a spell i must've cast I know will follow back to you in our story that will last Chorus x2 Chords (Capo 2): Verses: C G Am F Lead in to chorus: Am C G Choruses: C G Am F
11.

about

HLEDÁNÍ
Hledání on this record: Cácora, Mazi, Týna, Dan
Recorded by Mazi in Vrak in Jihlava
Mix&mastering: Jænström Blømberg
Lyrics translated by Keyda.
hledani.musicforliberation.com // zbpunk@riseup.net

STICK AND POKE
Stick and Poke is a witchy Canadian West Coast folk punk band consisting of Lauren Boyko and Al Soldink. Both musicians are singer songwriters and acoustic instrumentalists.

The duo are constantly learning and creating magically melancholy harmonies for all those who wish to listen.
stickandpoke.bandcamp.com // facebook.com/stickandpoke
stickandpokeband@gmail.com

credits

released January 27, 2016

*

Released as 100 pcs of blue transparent cassette in cooperation of Rosa Punx Collective and Chyba Records.

Rosa Punx Collective
rosaparks.musicforliberation.com

Chyba Records
chyba.a-punk.cz/records/

Balíček ke stáhnutí obsahuje booklet s texty, akordy a překlady do angličtiny.
Download included booklet with lyrics, chords and translations.

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chyba Czech Republic

CHYBA records je malej DIY label, kterej se zaměřuje na hudbu, co má co říct.
★★★
CHYBA records is a small DIY label, which is focusing on music, which have something to say.

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