1. |
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(C) Lišky a norci na svých (E) hřbetech nesou
vize nových (F) světů, když (C) utíkají z (G) klecí
(C) Svoboda Sabatého (G) kroků je doprovází
(F) kotlinským ledem i (Dmi) pyrenejskou (G) klečí
(C) Štěkot psů (E) athénských ulic (F) zní
od Lakandonské džungle (C) po (G) Rojavu
(C) Je hlasem všech (G) odvržených
(F) ať už nosí srst nebo (Dmi) (G) balaclavu
(F) A stejně jako tehdy v listopadu
(E) Na mořské hladině odlesky svobody
(F) když šli ke dnu lodě velrybářů
(G) Zračí touhu, rozbíjet okovy
(C) A ty se mně (E) ptáš jak čelit (F) plytkosti instantních (G) existencí
(C) Kde vzít sílu a (E) postavit se (F) vlastní pohodlnosti a (G) dekadenci
(C) Stačí se (E) kouknout kolem (F) sebe, inspirací (G) máš
(C) Záleží (E) jen na tobě, (F) co s ní (G) uděláš
Co s ní uděláš (C)
Můžeš (Ami) být kamenem (F) v botě (C) těm, co (G) po jiných (F) šlapou (C) (G)
zkusit (Ami) Zadrhnout ten (F) stroj, to (C) soukolí ať přestane se (G) točit
(Ami) Ať také (F) poznají život (C) v neustále (G) nejistotě, (F) ti opilí (C) mocí (G)
a (Ami) Odlesky svobody (F) zaplanou ti v (C) očích (G)
a (F) Odlesky svobody (G) zaplanou ti v (A) očích
a (F) Odlesky svobody (G) zaplanou ti v (C) očích
_____________________________________________
GLINTS OF FREEDOM
Like fox and mink, once freed from their cages,
promises of new worlds glint from their backs
taking free steps as Sabaté did, through
riverbasins and pyrenees pines
From Lacandon jungle to Rojava
echoes the barking of Athens' streetdogs
and becomes a voice of the outcasts
who fight hand and paw alike
Just like on that november day
way back, when the whaling ships sank
glints on the water reflect
our desire to break off chains
don't ask how to face our shallow, disposable existence,
how to summon the courage to fight your own decadence
there's inspiration present everywhere around you
and what really matters is what you choose to do
you can bite the hand that feeds poison and shit,
be the spanner in the gears that grinds them to a halt
let the power abusers taste the anxiety they bring
and glints of freedom will shine from your eyes too
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2. |
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Ami C G Ami
Přede mnou (Ami) věž - železobetonový kolos nedozírné (C) výšky,
postaven (G) nevolnými údy mdlých, ozdoben kly vyhynulých (Ami) druhů
(Ami) jediné co zbylo, na mršině světa – mršiny (C) much a kořistnící ruka
(G) chtivě trhající křídla z mrtvých (Ami) těl
(F)„Cesta je zavřená. Byla (Emi) postavena těmi, jež jsou (Ami) mrtví.
A mrtví ji střeží."
(F)„Cesta (Emi)je (Ami)zavřená...“
(Ami) Prodchnutí svobodou vybíráme z široké škály průběh (C) rozkladu
Plán na (G) večer? S volností přemýšlet jak velkou míru odcizení (Ami) zvolit
(Ami) Ve světě betonu, oceli a skla - úpadek (C) v rozletu a ten prs, který kojí
(G) rozedrat do masa, naporcovat, zabalit a (Ami) prodat
(F)„Cesta je zavřená. Byla (Emi) postavena těmi, jež jsou (Ami) mrtví.
A mrtví ji střeží."
(F)„Cesta (Emi)je (Ami)zavřená...“
_____________________________________________
THE WAY IS SHUT
Before me stands a tower – a giant of concrete and steel
erected by slave labor, decorated by tusks of the extinct
all that's left of the carcass of this world are dead flies
and a greedy maw nibbling on the corpses
“The way is shut.
It was made by those who are Dead.
And the Dead keep it.
The way is shut.”
so high on freedom we choose our flavor of decline
to ease the deafening alienation on a night out
collapse is pending for the artificial earth
already torn, sliced, packed and sold
“The way is shut.
It was made by those who are Dead.
And the Dead keep it.
Until time comes...
The way is shut.”
|
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3. |
||||
C F Ami // C G Ami F // C F Ami // C G C
(C) Krájí (F) na kusy (C) zdechlinu (F) svědomí
(C) Čím vyšší (G) plot, tím bližší (Ami) dno
(C) Každý den (F) házejí (C) předsudkům k (F) sežrání
(C) Další (G) libové (Ami) sousto
(C) Chtěl bych vidět (F) tyhle tupce
(Ami) co hlásají zavřít vrátka
(C) S jedinou taškou, (F) kterou stihli
(Ami) zabalit si když přišla válka
(C) Chtěl bych vidět (F) tyhle lidi,
(Ami) absolutně bez svědomí,
(C) Potom co by (F) prošli peklem
(Ami) řekli by jim, že tady pro ně místo není
(C) (G) (Ami)
(C) Kde se vzalo jejich (G) odhodlání
(Ami) Uprchlíky (F) nepřijímat
(C) Záraží mně jak (G) rychle umí
(Ami) společnost (F) zapomínat
(C) Rok 68 nebyl (G) zas tak dávno
(Ami) Mnozí ještě pamatují (F) kolony tanků
(C) Kolik lidí tehdy (G) utíkalo
A teď jiné (Ami) vyhání tenhle národ (F) exulantů
C F Ami // C G Ami F // C F Ami // C G C
(Ami) Život v nejistotě a strachu, hledání cesty ven, kudy a kam utéct?
(C) Před peklem na zemi peklem na moři, vysněná souš a pak další zlo.
(F) Středozemní moře, život v něm na pokraji zániku, tak proč nepokračovat v kursu.
(G) Po utrpení jen další utrpení, sen o lepším životě končí ve vlnách.
(Ami) Pod hladinou masový hrob, před našimi dveřmi.
(C) Kolik lidí ještě opustí své domovy a životy při útěku před válkou či humanitární krizí,
(F) kolik lidí bude nuceno snášet nelidské zacházení, znásilňování, pošlapávání jejich základních lidských práv,
(G) jen proto, aby později utonuli v mořských vlnách, nebo je banda buranů posílala se siláckými kecy zpět?
(C) Kde jsi se (G) narodil, (Ami) to si (F) nevybereš
(C) Někdy (G) zbývá jen (Ami) jít
(C) (G) (Ami) (F)
Tak vítej
_____________________________________________
WELCOME
their collective conscience is a dead weight anyway
let prejudice decide how low can they go
I would love to see those idiots closing borders left and right
on the other side of fence, standing helpless
with nary a few scraps gathered before war broke loose
having gone through hell just to hear there's no place left
Closing the gates before those in need
It's perplexing how one can forget so easily
1968 apparently happened a long time ago
for our nation of former exiles
living in anxiety and fear, where to go and how?
Going through hell on both land and sea
just to wind up on a not-so-welcoming shore
if you're not lucky, only waves will wash over your dreams
mass graves right on our doorsteps
people leaving their homes and former lives to get away from war
only to be subject to another mistreatment, rape, violation of their basic rights
just to die at the sea or be turned away by a bunch of stupid fucking beer-bellied rednecks…
you can't choose your place of birth
but you can choose your place to live
so welcome
|
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4. |
Hledání - Majáky hoří
02:23
|
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Emi Ami Emi Emi C Emi
(Emi) Svoboda je svobodou jen tehdy,
když v sobě pojímá zodpovědnost a znalost následků vlastního jednání.
(Emi) (C) (G) (D) // (Emi) (C) (Emi)
(Emi) Důležitější (C) než výsledek, je (G) usilovnost (D) snahy
(Emi) Dosáhnout plnosti (C) času skrz (G) smysl malých (D) činů
Když (Emi) olej skropí (C) dřevo a ty (G) pochodeň svou (D) zapálíš
(C) Dokážeš jí (D) k vatře (Emi) přiložit?
(Emi) (C) (G) (D) // (Emi) (C) (Emi)
(Emi) Svoboda je (C) svobodou jen (G) tehdy, jen (D) tehdy,
když v (Emi) sobě pojímá (C) zodpovědnost za své (G) činy, (D) za své činy
(Emi) A když staneš před (C) hradbou horských štítů - (G) majáky hoří, (D) jak odpovíš?
_____________________________________________
THE BEACONS HAVE BEEN LIT
freedom only earns its name
when it carries the weight
of responsibility and consequences
effort is what counts, not the outcome
to make you feel you really matter
when the torch is soaked and ready
do you have what it takes to set it on fire?
freedom only earns its name
when it carries the weight
of responsibility and consequences
And when you stand at the foot of the hills,
the beacons have been lit, what say you?
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5. |
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(C) Odlidštěná centra, (G) chátrající historické (F) památky
(C) Chrámy konzumu, herny, (G) vyprazdňující se (F) baráky
(F) Kancly, klece z (G) betonu a monstra (Ami) ze skla
(F) Jaká budou města zítřků, (G) kudy vede cesta (C) ven
(C) Odlidštěná centra, (G) chátrající historické (F) památky
(a stoupající nájmy)
(C) Chrámy konzumu, herny, (G) vyprazdňující se (F) baráky
(lidi bez střechy nad hlavou)
(F) Kancly, klece z (G) betonu a monstra (Ami) ze skla
(ať je nahradí autonomní sociální centra)
(F) Jaká budou města zítřků, (G) kudy vede cesta (C) ven
(pomožme si squattingem)
(F) Je přirozené, že plíce (G) města chtějí (Ami) dýchat
a (F) svobodně chce hlas (G) ulic vzduchem (C) znít
Nic není (F) nemožné, vždyť i (G) kameny mohou (Ami) lítat
Proč by tedy (F) opuštěné domy (G) nemohly znovu (C) žít
Nic není (F) nemožné, vždyť i (G) kameny mohou (Ami) lítat
Proč by tedy (F) opuštěné domy (G) nemohly znovu (C) žít
Ať se
(F) všechny zpráchnivělé (G) trámy znovu pevně (Ami) spojí
(F) A spekulanti s nemovitostmi (G) ti, ať se (C) bojí
_____________________________________________
CITIES NEED HEALING
hearts of the cities, sterilized, dehumanized
shrines to consumerism, houses becoming vacant
office cubicles, concrete cages, glass monsters
future sure looks shiny, now how do I get out?
hearts of the cities, sterilized, dehumanized (with skyrocketing rents)
shrines to consumerism, houses becoming vacant (while homeless people sleep outside)
office cubicles, concrete cages, glass monsters (let social centers take their place)
future sure looks shiny, now how do I get out? (and into a squat?)
lungs of the cities need their air
and streets need their voice to be heard
nothing's impossible, even rocks can fly
so why couldn't dead houses live again?
So mend the mouldered beams again
and let's instill fear in those who let them rot
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6. |
Hledání - Svlékání kůží
02:30
|
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(Emi) Správné načasování (Ami) zaručí úspěch - (Emi)svlékání kůží.
(C) Odřít se o davy, (D) obrátit naruby - (Emi) svlékání kůží.
(Emi) Ať se udáví starými (Ami) cáry – (Emi) zapomenou.
(C) Nové tvary obalí (D) struktury shnilé a všichni (Emi) zapomenou.
(Emi) Předvádět kousky za které (Ami) zaplatí vděčnými (Emi) hlasy – zapomenou.
(C) Proklamace pro proklamace, (D) recyklace minulosti –
(Emi) zapomenou.
(F) (G) (Emi)
(F) (G) (Emi)
(Emi) Ukázat očím (Ami) co vidět chtějí – (Emi) zapomenou
(C) Stejnou péči dopřát i (D) slechům – (Emi) zapomenou.
(Emi) Požehnat masám a (Ami) pobídnout k tanci - ať (Emi) tančí! A pak zapomenou.
(C) Za kůrku chleba a (D) posrané životy – (Emi) zapomenou.
(F) (G) (Emi)
(F) (G) (Emi)
(Emi) Důležitost pomníku se (Ami) poměřuje schopností (C) oblbnout lid, (D) oblbnout lid.
(Emi) Pocítit majestátnost (Ami) moci a ve stínu (C) monumentů si (D) uvědomit
Vlastní (Emi) nicotnost a (Ami) roli, (C) která nám byla (D) přidělena.
Vlastní (Emi) nicotnost a (Ami) roli, (C) kterou máme (D) žít.
Klíče k (Emi) okovům - obelisky, (Ami) vítězné oblouky (C) na počest (D) vítězství.
Pole (G) pobitých zahalená v (C) otázkách, kdo vlastně (Emi) vyhrál a nad (D) kým?
(Emi) Pyramidy. Ne, to nejsou (Ami) hrobky, (C) do kterých se pohřbívají (D) mrtví,
ale (G) výkladní skříně, (C) které nám ukazují (Emi) zrůdnost a malichernost (D) moci.
(Emi) Ozdobíme mrtvé (C) jen té správné strany, (Emi) která má to štěstí, že (C) zrovna třímá žezlo.
(Emi) Copak na druhé (C) straně nejsou lidé jako (D) my?
(Emi) Kongresová centra hostí (C) rauty finančníků, (Emi) s plnými břichy probírají (C) politiku
(Emi) a o kousek dále lidé (C) bojují o (D) přežití.
Utnout úvahy o osobní svobodě a svobodě ostatních přesným načasováním, uvážlivým výběrem tématu a promyšleným dávkováním hesel a receptů na spásu.
(Emi) Správné načasování (C) zaručí úspěch.
(Emi) Svlékání kůží.
_____________________________________________
SHEDDING OF SKINS
Timing is the key to success – shedding of skins
chafe on the masses – shedding of skins
let them choke on the remains to forget
crumbling structures get a new facade and everyone forgets
put on a good show and don't worry, they'll forget
slogans for the sake of slogans, redoing the past they already forgot
show the eyes what they need to see to forget
take the ears for a ride as well, to forget
bless the masses and rejoice in a feast to forget
for a few crumbs and fucked up lives they'll forget
the higher the pedestal, the more people will it fool
the more it reminds you of your place,
your own worthlessness tailored for you,
your own place and a role to live out
might be lucky and earn the keys to your shackles
victory arches over the killing fields, whose victory again?
Monuments and pyramids – these are no burial chambers
they're here for you to window-shop on awe and despair
History decorates only the winners, not the dead of both sides
for the record – they're people just like you
unlike, however, the tycoons who'd sooner starve the poor
than feed them even the scraps from under the table
when they make disasters come from the right place at the right time,
you'll never even want what little freedom they condescendingly gave you
all gets lost, traded in for make-believe safety
timing is the key
shedding of skins
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7. |
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Hey you, dude standing outside the venue
Asking everyone if they're straight edge
If they say yes you will offer your hand
But if they say no, you tell them to 'learn the truth'
But its up to them, what they do with their lives
If they like to drink, well that's just fine
Who the fuck are you to tell them what's right?
What happened to the freedom to choose?
Chorus:
So fuck your conversions
Fuck all your rules
And treating non-edgers as if they were fools
People like you give straight edge a bad name
Persecuting those who don't feel the same
Well its true that I am straight edge myself
But that's because it works for me
I don't give a fuck how you enjoy yourself
Just don't fucking judge cause I'm clean
Even though I live the same way
I wont perpetuate your stupid clichés
Did you forget why we're all even here?
It's about the music, not the fucking beer
So fuck your conventions
Fuck all your rules
Those X's on your hands make you look like a tool
I may be straight edge myself but I just gotta to say
Fascist elitism is never okay
Yeah, fascist elitism is never okay
Chords:
Intro: G D C Em G D G
Verse 1: G D C Em
Verse 2: Em C G D
Chorus: G D C D
Verse 3: G D C Em
Verse 4: Em C G D
Chorus: G D C D, end on G
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8. |
||||
Little Fox Girl you are small and fair
Racing through the forest with your thin tangled hair
The forest where you dwell protecting you from harm
Away from mischief trouble but not immune to dark charm
Because in the forest there shadows a beast
Dark, handsome, delirious to say in the least
Through the mist to meet her he comes from the dark
Quite ready to steal that little foxes heart
Chorus:
Now I'm screaming bloody murder how did I get myself into this mess?
I will rip my teeth out one by one and sew them onto my dress x2
Curiosity killed the cat a wise owl once said
When the cat turned around she ended up dead
Eaten by the wolf her body's now gone
Just looking to impress, oh where did she go wrong?
Well that stupid Fox Girl she could not resist a look
The price that she paid was her sanity he took
With his back turned away his views are hazy
Calling her insane when it's he who drives her crazy!
Chorus
With an expected twist in fate he spits out the cat
For his fox lady friend he'd do much more than that
He pulls his teeth out and places them on a string
Places them in her hand and says 'Remember me when you sing'
Chords (Capo 2):
Verse 1: Am F C
Verse 2: Am G F Am Am G F C
Chorus: Am C G F C G
Verses 3+4: Am F C G, end on F
|
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9. |
Stick and Poke - Poe
02:59
|
|||
Little Marshall enjoyed the woods
He'd stay out all night if he could
But with his mom yelling 'go to bed'
He could only dream about the forest in his head
Then one night Marshall stayed up late
Ignoring his mothers cries of hate
He ran from is house into the deep
Forest, unknowing what in the darkness creeped
Chorus:
Faster and faster he ran through the woods
Far from his home, away from where he should
Be, the night is too dark for a child
Too cold, too black, too grim and too wild
Marshall spotted a tree, it was black and tall
but underneath it there was a beast that was, calling out
what a bloodthirsty shriek
it sprung and chased poor Marshall into the deep
As Marshall was running he wondered why
He had left his house, he was sure to die!
In the forest, a cabin, there was still hope
Glob had finally thrown little Marshall a rope
Chorus
A man in the cabin let Marshall in
He slammed the door with a toothy grin
With the beast outdoors and the man inside
There was plainly no place for Marshall to hide
Marshall came to see he had lost the chase
The man grabbed his arm with a forceful embrace
That was it for poor Marshall there was no way out
He opened his mouth but he could not shout!
The beast crashed through the window mangling the man
Marshall fell to the floor, releasing his hand
Marshall saw in the light, the beast was little dog Poe
His trusty black lab had vanquished his foe!
With the moon down low and the sun rising up
What a frightful night he had endured with his pup
They trotted side by side out of the woods
Trailing behind them a puddle of the man's bloooooood
Chords (Capo 2):
Intro: Dm F Dm A Dm F Dm A
Verses: Dm F Dm Dm A Dm Dm F Dm Dm G A
Pre-Choruses: Bb A Bb A Bb A
Choruses: Dm F Dm Dm A Dm Dm F Dm Dm G A
|
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10. |
Stick and Poke - Poison
02:38
|
|||
You and I we've been through this about a hundred times before
But we'll make it through the night, and make it to the west coast shore
Singing on the streets we dream of Vancouver nights
A dark sky filled with stars being a raccoon's delight
Chorus:
I’ll live savage and free and reckless and wild
I don’t need anybody I'm a forest child
I'll trace my casting circles in the mud
Cause something's boiling, in my blood
Forever hitching rides with strangers in old dusty cars
Playing music for new friends on your half sized guitar
I will never let you down, if you don’t ever let me go
I know you want to give me space, so I have some time to grow
Chorus
Well this poison in my blood its seeping deep out of my veins
racing straight to my heart causing pain that will remain
but this red string in my hands, a spell i must've cast
I know will follow back to you in our story that will last
Chorus x2
Chords (Capo 2):
Verses: C G Am F
Lead in to chorus: Am C G
Choruses: C G Am F
|
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11. |
chyba Czech Republic
CHYBA records je malej DIY label, kterej se zaměřuje na hudbu, co má co říct.
★★★
CHYBA records is a small DIY label, which is focusing on music, which have something to say.
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